(no subject)

[dreamer_easy]

Voyage of the Damned is better than I remembered, too. Lightweight, as the specials tend to be, but some gorgeous images and a cracking cast (Kylie's great, and Tennant's performance gives the weaker material one hell of a boost). As with the Master trilogy, fandom made it all but impossible to enjoy the story at the time. With that taste of ashes no longer in my mouth, it was a pleasure to just watch it for itself. (Jon provided commentary in the form of reading out funny bits from Writer's Tale. :)

Mr. Copper says: "Of all the people to survive, he's not the one you would have chosen, is he? But if you could chose, Doctor, if you could decide who lives and who dies - that would make you a monster."

Ohhhhhh shit.

(Although of course I'm still waiting for the line about becoming a vengeful god to pay off.)

Comments

[tiggerallyn.livejournal.com]

I'm seeing more and more that all this time he's been telling *one big* story, of vast scope, and some stories or plot elements that seem somewhat weak when taken on their own (e.g. VOTD) have actually been important building blocks in that greater story. I also think a lot of folks in fandom are too focused on the individual stories as isolated episodes to see the mosaic image that's forming, which is too bad.

I got into a bit of an argument with a friend of mine over that very point about two and a half years ago; I said that I thought the Master trilogy that closed out the third season felt like The Empire Strikes Back, and that as you saw in "Utopia" how the dominoes started to fall, then it became apparent that there was a direction to the series that wouldn't unfold for another season or two, that we'd have our Return of the Jedi before RTD was done.

His argument was that television doesn't work like that; you don't know when you're going to be canceled, so it's insane to pull a JMS and plot out a massive storyline (and, even in JMS' case, he didn't quite pull it off because he didn't know if he'd get the fifth season of Babylon 5 or not).

As for where, two years ago, I thought the story was going, it's the same place I think it's going today — the reset button. RTD is passing on the box of Doctor Who toys, and there's one toy that he took out of the box and hasn't used — Gallifrey and the Time Lords. It's not RTD's toy to take out of the box permanently, though; it was in the box when RTD received the box of toys from Philip Segal, and it was in the box of toys when Segal received them from John Nathan-Turner. For Moffat to have the same box of toys to play with that he had, RTD has to put the Gallifrey/Time Lord toy back into the box. Maybe it will be overt, maybe it will be subtle (like The Gallifrey Chronicles, come to think of it), but the toy will go back in, and Moffat will inherit a toybox with all its toys intact.

[kateorman.livejournal.com]

It's an interesting way of looking at it - it would make each producer's era sort of modular, self-contained. Though of course, Moffat isn't reliant on RTD to bring back Gallifrey if he wants to play with that particular toy!

[dameruth.livejournal.com]

RE: "Television doesn't work like that," well, heck, look at the Doctor/Rose storyline. You never have a main series character who falls in love with another character and then they ride off into the sunset together for a happily-ever-after because it'll destroy the series . . . And yet, Ten (well, Handy) and Rose ended up doing just that. It involved making some really bizarre crack!fic into canon in the process, but RTD had the cojones for *that,* so I see no reason why he wouldn't have some Master Plan (as it were) covering several seasons' worth of stories. Hell, that's a far more conservative move, really.

Yeah, the Big Red Reset button's been in my mind, too, and nothing in WoM contradicted that possibility, either (only reinforced it, to my mind). Wonder how fandom will explode if it comes to pass . . .