dreamer_easy: (IT'S A TRAP)
Thought-provoking quote from RTD in an interview earlier this year:

You’ve come in for some criticism for shooting in Dubai.
'From some blogs, yeah. I knew what we were doing. I didn’t personally choose the location, but I’m not ducking out of it now, I am the exec producer. But of course we filmed there. What are we suggesting, that we isolate the whole Arab world? Or the whole Islamic world? Do we cut them off? Do they cut us off? It’s not the way anyone engages with the modern world at all, I wouldn’t do that on a personal level or a professional level. Underneath it all is a subtle form of racism at work there that says white westerners are encouraged to love ethnic races, unless they’re rich. All these countries are running out of oil, so they have to build these giant hotels, because all they can do is engage with the West. After that the laws will change and the culture will change and we will assimilate with them as well. It’s a big cultural process and nothing is ever gained by saying: "We’re not going there." Would you refuse to go into a room with an Arab? Where does that get people? I’m not saying we Westernise them, it’ll go the other way and happen in ways we don’t like personally as well. If you isolate them then you end up with Zimbabwe or with what’s happening in Senegal.'
Now this may be a bit of a rationalisation, and there's a case to be made that nations with a dodgy human rights record, including persecution of gays, ought not to have our business - especially government business. (In which case we'd better do something about all these cars.) But those things said, I see that urge to ostracise everywhere, from trivial squabbles online to boycotts of international conferences. I think it's often a mistake, as simple, righteous solutions to complicated problems frequently are. Dialogue's difficult and frustrating. Having to change our opinions, or make compromises, is humiliating. Much simpler to just say, "Hmph, I'm not talking to you."
dreamer_easy: (AND MORE)
RTD action figure. (It's the facial expressions, on both doll and packaging, that make this. I nearly perished of laff.)

Panting Boston Terriers

Maru's fat little legs

World Air Traffic 24 Hour Period
dreamer_easy: (BRAINS)
Someone on TWOP claimed that RTD dismissed criticisms of the Cyberwoman costume by saying he couldn't be expected to understand women. In search of the original quote or whatever which was distorted into this obvious bollocks, I came across a merciless review of the episode, which provided what I think is the quote in question ("There are a lot of men on the team who were absolutely determined to make that Cyberwoman costume as sexy as possible. I've got no idea what they mean.") but also the observation that Lisa performed a brain transplant on herself. Oh dear. I'd never thought about that before.
dreamer_easy: (feminist)
Last year I posted mourning the demotion of the word misogyny from its original, powerful meaning, "hatred of women", to a mere replacement for the word "sexism". Language naturally changes like this. But I was reminded that we're going to need a new word to describe woman-hating the other day, when I observed a self-described lesbian feminist describe a weakly sexist remark by RTD as "resounding misogyny".

Can't talk about this in detail without SPOILERS for Torchwood: Children of Earth.

COE: raising so many interesting fannish issues since a couple of weeks ago )

ETA: Only really posted all of that because I hit the word "misogynous" in Erica Jong's Fear of Flying, on which I decided to make an assault this evening. I'm starting to worry I'm only contributing to the problem by banging on about it here, as though the overwhelming majority of fans were not perfectly sane on the subject, so I think it's time to take a break.

ETA ETA: Although I suppose we're going to need a new word for "homophobic", too.
dreamer_easy: (BOOKS)
My recommendations from the year's reading:

Ben Aaronovitch. Genius Loci. I can't believe how long to took me to get around to reading this. Ben writes one of the rarest kinds of Doctor Who-related stuff: honest-to-God SF. Plus it's as funny as hell.

Christine Pevitt Algrant. Madame de Pompadour: Mistress of France. I rarely read history; this was a terrific read.

Pierre Bayard. How to talk about books you haven't read. Cheeky little book full of serious insights on writing, reading, and publishing.

Russell T. Davies. The Writer's Tale. Entertaining and enlightening - plus hopeful writers (and old hacks like me) get an invaluable glimpse of a master works.

Charles Dickens. Bleak House. My first ever Dickens! Now I see what all the fuss is about! I hope to give Our Mutual Friend a stab this year.

Kate Fox. Watching the English: The Hidden Rules of English Behaviour. Suddenly so much makes sense that never did before. (Don Watson's On Indignation was similarly enlightening. :)

Gita Mehta. Karma Cola. Knockout collection of anecdotes about clueless Westeners visiting India in the sixties, with no idea of what was waiting for them. I picked this up completely by chance in an op shop. I would read a shopping list written by this woman. Instead, though, I'll read her novel Raj.

Tsugumi Ohba and Takeshi Obata. Death Note. So clever, so funny, so twisty.

Alexander Solzhenitsyn. One Day in the Life of Ivan Denisovich. Holy flaming cow. I'm still reeling from the final line. Cancer Ward is on the shelf for this year.

42 books )
dreamer_easy: (doctor who rtd rocks)
Besides the real meat of the book - the glimpse into how a (frankly) genius works, and how TV is made - there are lots of bits of perspective on fansquabbling, eg RTD's remark regarding last December's Daily Mail article:
"Far worse was the article's description of Martha as 'always going to be second best to Rose', followed immediately by a quote from me, making it sound as if I'd said second best! I'm still waiting to find out if Freema has seen that."
Told you so, beeyotches.

ETA: Ooh look, more! On writing the companions' dialogue:
"But I suppose there's a basic characteristic that I bear in mind. An essence. Rose is open, honest, heartfelt, to the point of being selfish, wonderfully selfish. Martha is clever, calm, but rarely says what she's really thinking. Donna is blunt, precise, unfiltered, but with a big heart beneath all the banter. But we come back to what I was saying ages ago about turning characters. If Rose can be selfish, then her finer moments will come when she's selfless. If Martha keeps quiet, then her moments of revelation - like her goodbye to the Doctor in Last of the Time Lords, or stuck with Milo and Cheen in Gridlock - make her fly. Donna is magnificently self-centred - not selfish, but she pivots everything around herself, as we all do - so when she opens up and hears the Ood song, or begs for Caecilius' family to be saved, then she's wonderful."
How different looks a world that is not composed of soundbites!

ETA ETA: PAGE 460. *ded*

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