dreamer_easy: (readit)
I'm paraphrasing hugely here, but apparently a film's about to come out in which Jane Austen gets a shag, and the Austen fans dislike the way that makes her just like everybody else. Heh.
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Bloody sore throat won't go away. Off to the doctor in a mo. Watched more of the 1995 Colin Firth Pride and Prejudice over a late breakfast. Look at him listening to Elizabeth play and sing with a giant sappy smile on his face. Awwwww. You know, the romance in these stories is very concentrated, because the characters - ladies and gentlemen - have Pretty Much Nothing Else To Do.
dreamer_easy: (readit)
SPOILERS for "Pride and Prejudice".

Cliff Notes for a new generation )
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I've abandoned the 1940 Pride and Prejudice for the 1995 miniseries, which I'll cram in in fits and bursts while eating breakfast etc. Anyway I just watched the bit where Mrs Bennett asks Bingley if his friend wants to dance and Mr D'Arcy suddenly realises she means him and gives her this completely hysterical "omgwtfbbq!!!11!!" deer-in-headlights look. Bwa ha ha a ah aha!!! I'm gonna get the DVD of this and make an ikon out of it.
dreamer_easy: (readit)
Just up to the chapter in Pride and Prejudice where Mr Darcy SPOILERs Elizabeth and she gives him a hefty piece of her mind. This is thrilling stuff!!!
dreamer_easy: (readit)
The local library has a copy of cartoonist Art Spiegelman's remarkable book In the Shadow of No Towers, a collection of newspaper-page-sized responses to 9/11, greatly influenced by early NY newspaper cartoons and supplemented by a sampling of them. It's full of black humour and wit, almost absurdism, as when he recounts his panicked rush to collect his daughter from her school near Ground Zero (his wife can only say "Nadja" over and over) only to (eventually) be brought the wrong girl. No-one can grasp what's happening or respond appropriately, at the time of the crisis or in its aftermath. The Katzenjammer Kids run around with burning Twin Towers on their heads; Uncle Sam throws a bucket of oil over them. Art hides under a flag: "I should feel safer under here, but - damn it! - I can't see a thing!". In one sequence he recounts how he grew, then shaved a beard, drawing himself as the Maus mouse in the last panel: "... issues of self-representation have left me slack-jawed." (He also appears as a baby!Maus-cum-Little Nemo. "Hush, you fell out of bed, sweetie." If only.) But I think my favourite bit is his confrontation with the Jew-hating Crazy Lady, whose madness he imagines escaping to create the 9/11 nightmare. For some reason I've found cartoonists' responses to the atrocity the most affecting and healing. I'm not sure I'd describe No Towers as healing, though, it left me in low spirits, but it's rich and fascinating.

By spectacular contrast, I'm also reading Pride and Prejudice, and finding it hard to put down - it's a hoot!

My PC monitor keeps dimming and brightening. Last legs!
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An illuminating essay from [livejournal.com profile] ranalore on character vs archetypes in fan fiction. LJ has meant my proper introduction to metafandom, if that's the right word - fans of multiple texts who my move between and combine them (eg Harry Potter doujinshi). In Australia at least, Doctor Who fandom is an entity unto itself, with only tenuous connections to wider media or literary SF fandom, whereas here fandom comes first and texts second.

The Guardian asks: Why do we still fall for Mr Darcy?. Speaking of archetypes, he and Mr Rochester have something to do with Snape fan fiction.

It's that man again: behold, the first unofficial James Callis Web site.

I'll bet you've already heard of the remote that can turn off public TVs. I heard on the radio that there's now a thingy that can prevent all but emergency mobile phone calls in cinemas. We need one of those for the library, and also a device which causes the sudden demise of students using Hotmail on the research computers. Preferably not a messy demise, as the carpet is still new; perhaps something which leaves one smoking shoe as a warning to others.

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